By C.J. Hirschfield
Last week, a man and his 5-year-old daughter enjoyed a full day at Fairyland. They were exiting through the gift shop when the man looked up and noticed two puppets in a display that honors the 60th anniversary of our renowned puppet theater—the longest-running in America.
Last week, a man and his 5-year-old daughter enjoyed a full day at Fairyland. They were exiting through the gift shop when the man looked up and noticed two puppets in a display that honors the 60th anniversary of our renowned puppet theater—the longest-running in America.
The Alice in Wonderland and
White Rabbit puppets that caught his eye had starred in a 1960s Fairyland
production, and on the display we noted the person who designed the puppets’
lovely costumes: Frances Oznowicz, who happens to have been the grandmother of
our visitor, Mike Oz.
Mike and Frances Oznowicz with marionettes at one of Fairyland's annual puppet fairs in the 1950s. |
Although he’d visited Fairyland
many times, as both a child and a father, Mike now felt the time was right to
learn more about the place that played a key role in the lives and careers of
three of his closest family members.
We’re so glad he did.
“I just had to say hi to
someone,” Mike said. We immediately contacted our master puppeteer Randal Metz,
who also serves as our resident historian. Randal thought someone was playing a
cruel joke: Mike is named after his late grandfather, Mike Oznowicz, who had
been a major player in the puppetry scene in years past, and Randal was not
ready to face a ghost that day. Imagine his relief and delight when he met Mike
and Mike’s daughter Isadora, whose name honors Grandfather Mike’s given name,
Isidore.
Randal brought Mike and Isadora
backstage at our puppet theater, where stories were told, more of Frances’
costumes displayed and the seed of future partnerships planted.
The elder Mike and Frances
Oznowicz were accomplished puppeteers in Belgium, doing both traditional and
political theater before emigrating to America, and Oakland, in 1950—the same
year Children’s Fairyland opened to the public. Before he left Europe, Grandpa
Mike bought many bottles of Chanel No. 5 perfume, because he’d been told they’d
be lovely gifts for his American friends and relatives. He hid this contraband
under a suit and some puppets. When the U.S. Customs official examined the
suitcase, he pulled out a puppet of Hitler, the star of one of Mike’s anti-Nazi
shows. The official was so flustered that he shoved the puppet back into the
case and waved the family through. “Hitler saved my Chanel No. 5,” Mike relished
telling his listeners.
Once in Oakland, the couple and
their two young sons naturally found their way to Fairyland’s Storybook Puppet
Theater, where the region’s top puppeteers gathered and performed. One son,
Frank (who along with his nephew Mike also shortened his last name to Oz),
apprenticed at the theater before starting a stellar career in television and
film.
Young Mike Oz with his grandfather Mike Oznowicz, making funny faces. |
Both Randal and Mike confirmed
that Mike Oznowicz was a legendary talker, about every subject but the European
war he’d survived. Randal recalls that the elder Mike loved playing devil’s
advocate to stimulate lively discussion. When local puppeteers met in 1960 to
craft a charter to form the Bay Area Puppet Guild, Mike kept the discussion
going for hours. When he finally excused himself to take a bathroom break, the
puppeteers quickly ratified the charter in his absence.
Mike Oz also shared memories of
his grandmother, who had worked as a couturier in Belgium. “She was a very
vibrant person; a true artist,” he says. “To her, detail was everything—and she
was a wonderful cook.” We love that her puppet costumes live on at Fairyland,
and that some of them will next be featured in our scheduled holiday
performances of “Beauty and the Beast.”
Mike Oz sees his grandmother’s
attention to detail in his daughter Isadora, who loved her backstage access to
our puppet theater. “I want a puppet show for my birthday,” said the young girl
with the impressive puppetry pedigree. “Then you’ll have to write it and make
the puppets,” her father responded. And so it begins.
Mike Oz is the principal of
Oakland School for the Arts’ high school, just a short walk from Fairyland. For
a decade, he’s brought graduating kids to the park to take a group picture by
our iconic sign. But last week marked his first connection with Team Fairyland.
Mike Oz and daughter Isadora backstage at Fairyland's Storybook Puppet Theater. |
Once school starts and Mike settles in, we’re going to schedule a meeting to talk about partnerships between
Fairyland and OSA. This term, the school will have a fashion design track (could
students make puppet costumes?) as well as production design and set-building
options. It is quite possible that the first Oz to connect with us in many
years will rekindle the family connection that has survived over the 60 years
of our puppet theater’s life.
“Let’s not limit ourselves,”
says the teacher who continues his family’s rich legacy of promoting the arts
in Oakland.
-- C.J. Hirschfield has served for 14 years as executive director of Children's Fairyland, where she is charged with the overall operation of the nation's first storybook theme park.
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