Before and After: Puppet fairy wings

Before and after

Our Thumbelina fairy puppet needed some new wings. Her nylon ones had broken down years ago and it was time to upgrade the foam core "quick fix." Enter Fairyland's creative director, Maria Rodriguez, who actually makes, wears, and sells super-cool "stained-glass" wings.

Maria has been with Fairyland for 16 years but has been a fantasy fan her whole life. She writes, "I grew up with movies like 'Labyrinth,' 'Legend,' and 'Dark Crystal,' so making and wearing wings was a natural life progression."

She based the fairy's new wings on a much larger set she made for herself years ago. Even though they were based on a current design, it still took her around five hours to design, cut, and glue them into a smaller, puppet-size shape.

The Blue Fairy performs at Fairyland in wings Maria made.

"Although I’m a huge fan of all the different styles of wings from nylon to the clear vinyl with aluminum frames, I couldn’t find anything that fit my darker look. Over the years I’ve sketched many different designs and finally fell in love with the idea of stained glass!"

And, no, they aren't actually made with glass. Maria uses a flexible vinyl to give that illusion. She'll also add lights, for an additional cost, to any wings you order through her Etsy shop. 

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Come see Thumbelina the puppet show, and the puppet fairy's new iridescent wings,  every day at 11, 2, and 4 at our historic Storybook Theater. The show is FREE with admission.

Also, be sure to visit Maria's Facebook page, Delightful Dryad.

The Highs and Lows of Puppet Shows

By C.J. Hirschfield

Our puppet-theater director, Randal Metz, is also a respected historian of puppets and puppetry. Recently, while researching the history of puppeteers in California, he came across an article in the Puppetry Journal – the quarterly magazine of the Puppeteers of America – that caught his eye. It wasn’t about puppets or puppeteers: It was about shoes. And not just any shoes: the special footwear used by some height-challenged puppeteers to make them tall enough to do their job.

Puppeteers' shoes suggested by Nick LeFeuvre, via the Puppetry Journal

When Muppets Come to Call

By C.J. Hirschfield

Children’s Fairyland boasts the longest-running puppet theater in America. Founded in 1956, it still presents three shows a day, every day we’re open.

The Storybook Puppet Theater is such a fixture in our park that we tend to take it for granted. Occasionally, though, we’ll be reminded that it has started the careers of some of the country’s greatest puppeteers, and continues to inspire those who perform one of the most ancient forms of artistic expression.

Fairyland's Storybook Puppet Theater.

Where There's a Will...

By C.J. Hirschfield

When Will Lewis was about 2 years old, he discovered the joy of puppets. His parents were indulgent – his dad built him a little stage for his productions – but they assumed that his interest was “just a phase.”

“It obviously wasn’t,” says the well-spoken Will, who is now 13 and will premiere his puppet version of “The Frog Prince” at Fairyland’s Puppet Fair Aug. 26 and 27. It will be his first full theatrical production. We can’t wait.

The Voice of Love

By C.J. Hirschfield

In the 15 years that I’ve run Children’s Fairyland, we’ve presented more than 100 puppet shows. My absolute favorite is “Puff the Magic Dragon,” which we premiered last year in honor of our Storybook Puppet Theater’s 60^th anniversary.

Casting the voices to be recorded for the show was not easy. Although Puff is not the main character – he doesn’t cause things to happen; he merely advises and guides – his voice was critical. It had to be a voice that was warm and soothing yet conveyed enough credibility and love so that you really wanted to listen to and believe in him.

It was abundantly clear to Fairyland puppet master Randal Metz whose voice it had to be. Ron Zeno, Fairyland’s Santa for two decades, was the only person he ever considered for the role.

We Hear Voices...

By C.J. Hirschfield

Last week the puppet show “The Three Wishes” opened at Children’s Fairyland. It was the first time the show – a classic German folk tale – had been mounted here in 21 years. In our telling, a woodcutter is rewarded with three wishes after aiding an elf. Things quickly get out of control.

We often use the original soundtrack of the show, using voices and music that were recorded long ago. It may seem sad to hear that all of the voice-talent artists who recorded the show have passed away, but to Fairyland’s master puppeteer Randal Metz, it’s a comfort.

A youthful Randal was at the recording session for “Wishes” back in the 1970s, and for most sessions after that. Here’s the way it worked:

Adult and child cast members would meet in Fairyland master puppeteer Lewis Mahlmann’s stately, historic Oakland apartment for a homemade dinner. Everyone would have received their scripts beforehand, and Lewis or Randal would direct. All would do a read-through together, and then take suggestions and talk about emphasis. The show would be recorded, all would listen and then try again. There would be much laughter and, after the kids left, some drinking.

Left to right: master puppeteer Randal Metz, David Jones, and Liesel and Brian Weimer record the puppet show soundtrack for "Brer Rabbit" in 1995.

A Land of Oz

By C.J. Hirschfield

Last week, a man and his 5-year-old daughter enjoyed a full day at Fairyland. They were exiting through the gift shop when the man looked up and noticed two puppets in a display that honors the 60^th anniversary of our renowned puppet theater—the longest-running in America.

The Alice in Wonderland and White Rabbit puppets that caught his eye had starred in a 1960s Fairyland production, and on the display we noted the person who designed the puppets’ lovely costumes: Frances Oznowicz, who happens to have been the grandmother of our visitor, Mike Oz.

Mike and Frances Oznowicz with marionettes at one of Fairyland's annual puppet fairs in the 1950s.

Although he’d visited Fairyland many times, as both a child and a father, Mike now felt the time was right to learn more about the place that played a key role in the lives and careers of three of his closest family members.

We’re so glad he did.

Forbidden Puppets

By C.J. Hirschfield

The year was 1956. The average cost of a new house was $11,700. Elvis appeared on “The Ed Sullivan Show” for the first time. The Warriors—the Philadelphia Warriors, that is—won the NBA championship.

And Children’s Fairyland’s puppet theater opened to the public for the very first time.

The Storybook Puppet Theater in 1957.

Sixty years, 150 productions and close to 50,000 performances later, the Storybook Puppet Theater is the oldest continuously operating puppet theater in the United States. We think it’s a great time to celebrate this landmark institution, the place where literally millions of kids were first exposed to live performing arts and where the talents of many young puppeteers – including the Muppets’ Frank Oz – were nurtured.

And what better way to celebrate than to do something our theater—and the city of Oakland—has never seen before?